As you can see below, it goes without saying that the 35mm L is the “bokeh king” out of the three. Not only does the Canon 35mm f/1.4L produce more bokeh, but its bokeh also has a very smooth and creamy look to the background and out of focus areas. Bokeh Comparison at Wide Open ApertureĪesthetically, when looking at their respective Wide Open Apertures(WOA), the Canon 35mm f/1.4L prime lens expectedly has quite a bit more bokeh at f/1.4 than both the Canon 35mm f/2 IS at f/2.0 and the Canon 24-70mm f/2.8L II at f/2.8 as you can see in the side by side comparisons below. So, we are trying to distinguish differences in appearance while viewing images full screen on a Dell U2713HM 27″ IPS monitor. Once again, this is a visual test of differences, not a technical test. Let’s start from the top at the lenses’ Wide Open Apertures (WOA). Image Quality at Wide Open Apertures Canon 35mm f/1.4L at f/1.4 Remote Trigger: Vello Shutterboss Version II Timer Remote Switch.Tripod: MeFOTO GlobeTrotter Carbon Fiber Tripod. ![]() ![]() Watch the 35mm Canon Lens Wars Conclusion Video This is the 35mm focal length conclusion and we had narrowed the choices from 8 total lenses that fit into the 35mm grouping to just three. Now we are going to see which of these three lenses is best lens at the 35mm focal range.įor those who are new to the Canon Lens Wars series, be sure to check out the SLR Lens Wars teaser video where we introduce the series and our testing methodology and all the other videos on each focal length. From the prime lenses, both the Canon 35mm f/1.4L and the Canon 35mm f/2 performed very well, and from the 6 zoom lenses that can hit the 35mm focal length, the Canon 24-70mm f/2.8L Mark II came out as our favorite zoom lens in the 35mm range.
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